“When I look back at my time at Swarthmore, they are the nights that stand out.”įollowing is a people’s history of legendary concerts at Swarthmore, whether for artistry or memorable circumstances - from internationally renowned rock bands to student a capella groups to folk singer-activists to chart-topping rappers. “As Swatties, you knew you worked harder, and those performances were the things you’d look forward to for months,” Bryant recalls. Performances large and small, seen in all types of spaces across campus, imbued adventure into the flow of student life. It’s hard to overstate the role such performances played for countless Swarthmoreans - the indelible memories they took away, the bonds built with classmates. It was awesome!” recalls Bryant, who later got backstage to take photos. “He brought me and a handful of other Swatties on stage. “And from the instant the band took the stage, we knew we were experiencing a show unlike any we’d ever seen.”įorty years later, all the way across campus in the Fieldhouse, Sean Anthony Bryant ’13 had his moment, watching Big Boi, half of the chart-topping rap duo Outkast, electrify a capacity crowd. “We knew nothing about, but it was a beautiful, balmy April afternoon, and a free show, so we went,” he says. “I’ve never seen anything like it,” he says.įor Dave Scheiber ’76, the “magical moment” happened in the Scott Outdoor Amphitheater, as he and his friends were introduced to a sly, fedora-wearing dynamo. “ the opening act, but played a long set. “The stage might have been eight square feet crowded into the eastern end of the first floor the band completely filled it,” remembers Beams. But some enduring memories quickly took hold. By the end of the musical, Angelica’s loyalty to Eliza makes her a narrator of sorts, helping her sister cope first with betrayal and then grief over her murdered son.N April of 1990, Jonathan Beams ’92 knew nothing about Nirvana, the Seattle rock trio that would soon upend the charts and youth culture. When Hamilton cheats on Eliza, publicly humiliating her and ruining his own reputation, Angelica stands by her sister: “I love my sister more than anything in this life / I will choose her happiness over mine, every time” (“The Reynolds Pamphlet”). Her brilliance and ambition are best captured in the letters she exchanges with Hamilton, where she presses him to adopt certain political positions and flirts with him via debates over comma placement. After Hamilton and Eliza get married, Angelica becomes a confidante for them both. Angelica quickly falls in love with Hamilton, but she selflessly does not pursue him, instead setting him up with her sister Eliza (“Satisfied”) her rapid-fire singing in that piece reflects her incredibly quick thinking as a character. Though her father tries to separate her from the political hubbub of the day, Angelica knows that “history is happening in Manhattan”-and she is desperate to be a part of it (“The Schuyler Sisters”). Act 2: Who Lives, Who Dies, Who Tells Your StoryĪngelica, the eldest and “wittiest” daughter of wealthy New Yorker Philip Schuyler, is considered by the creators of Hamilton to be the “smartest” character in the musical.Act 1: Yorktown (The World Turned Upside Down).
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